打印展览：
「中国当代雕塑十人展」，亚洲艺术中心，北京，展期自2007年4月7日至5月6日
「第52届威尼斯双年展—寻找精神的空间．虚空中的能量：李真雕塑展」，未来展望美术馆，威尼斯，展期自2007年6月10日至11月21日（较大版本）
图录：
《李真雕塑1992-2002》，亚洲艺术中心，台北，2004，彩色图版，页88-89（较小版本）
《中国当代雕塑十人展》，亚洲艺术中心，北京，2007，彩色图版，页50
《李真第52届威尼斯双年展—虚空中的能量》，亚洲艺术中心，台北，2007年，彩色图版，页140-141；黑白图版，页219
《李真：中国美术馆个展—寻找精神的空间》，亚洲艺术中心，台北，2008，彩色图版，页64-71；黑白图版，页197
附亚洲艺术中心开立之原作保证书
透过独创的「鎏银」材质，塑造出一宛若明镜之倒影，「大气神游」系列之一《无心海》比喻人唯有保持澄净无垢的「清净心」，致若赤子的境界，才能无忧无虑的徜徉在清澈的湖水之上。《无心海》纯净无瑕的赤子之身，无欲无求，不拘于七情六欲，师法自然，以最真的态度来面对生命、享受生活。似有心，若无心；是实境，若虚境，生命是真、非真，在时间中消失。宛若明镜之倒影，它是澄净无垢的「清净心」，致若诸佛境界，才能无忧无虑的徜徉在清澈湖水之上。细品李真作品，没有过度繁琐的线条，浑圆纯朴的造型总令观者会心一笑，精简中有浑然天成气韵之美。
Clear Soul, created in 2002 by Li Chen, is part of his series Spiritual Journey through the Great Ether. The sculpture exclusively adopts a silvering material and creates a mirror-like inverting effect. Clear Soul figuratively suggests that only a pure and spotless soul, such as that of a newborn baby, may freely fly over the serene and clear lake. The infant-like Clear Soul actually means freedom from desires or demands, negating mortal emotions or desires, complying with the rules of nature, and facing and enjoying life with the most genuine attitude. Clear Soul seems as if a mind of concerns has seemingly cast off the concerns of mortal toil; it is substantial but feels weightless. Life is real and yet full of illusions, which are doomed to vanish as time goes by. This philosophy can be compared to a mirror-like inverting effect. Pure and spotless Clear Soul, which is the boundary of Buddhism, will enjoy the freedom of flying over the serene and clear lake. Li abandons the over-complicated or lines in his sculptures and the perfectly round and unsophisticated image of figure always bring the viewers the purest movement through looking at these simple works.
「中国当代雕塑十人展」，亚洲艺术中心，北京，展期自2007年4月7日至5月6日
「第52届威尼斯双年展—寻找精神的空间．虚空中的能量：李真雕塑展」，未来展望美术馆，威尼斯，展期自2007年6月10日至11月21日（较大版本）
图录：
《李真雕塑1992-2002》，亚洲艺术中心，台北，2004，彩色图版，页88-89（较小版本）
《中国当代雕塑十人展》，亚洲艺术中心，北京，2007，彩色图版，页50
《李真第52届威尼斯双年展—虚空中的能量》，亚洲艺术中心，台北，2007年，彩色图版，页140-141；黑白图版，页219
《李真：中国美术馆个展—寻找精神的空间》，亚洲艺术中心，台北，2008，彩色图版，页64-71；黑白图版，页197
附亚洲艺术中心开立之原作保证书
透过独创的「鎏银」材质，塑造出一宛若明镜之倒影，「大气神游」系列之一《无心海》比喻人唯有保持澄净无垢的「清净心」，致若赤子的境界，才能无忧无虑的徜徉在清澈的湖水之上。《无心海》纯净无瑕的赤子之身，无欲无求，不拘于七情六欲，师法自然，以最真的态度来面对生命、享受生活。似有心，若无心；是实境，若虚境，生命是真、非真，在时间中消失。宛若明镜之倒影，它是澄净无垢的「清净心」，致若诸佛境界，才能无忧无虑的徜徉在清澈湖水之上。细品李真作品，没有过度繁琐的线条，浑圆纯朴的造型总令观者会心一笑，精简中有浑然天成气韵之美。
Clear Soul, created in 2002 by Li Chen, is part of his series Spiritual Journey through the Great Ether. The sculpture exclusively adopts a silvering material and creates a mirror-like inverting effect. Clear Soul figuratively suggests that only a pure and spotless soul, such as that of a newborn baby, may freely fly over the serene and clear lake. The infant-like Clear Soul actually means freedom from desires or demands, negating mortal emotions or desires, complying with the rules of nature, and facing and enjoying life with the most genuine attitude. Clear Soul seems as if a mind of concerns has seemingly cast off the concerns of mortal toil; it is substantial but feels weightless. Life is real and yet full of illusions, which are doomed to vanish as time goes by. This philosophy can be compared to a mirror-like inverting effect. Pure and spotless Clear Soul, which is the boundary of Buddhism, will enjoy the freedom of flying over the serene and clear lake. Li abandons the over-complicated or lines in his sculptures and the perfectly round and unsophisticated image of figure always bring the viewers the purest movement through looking at these simple works.