Clarté immatérielle

1998

Oil on canvas

60 x 120 cm

Signed lower right Chu Teh-chun in Chinese and English, dated 98

Titled on the reverse Clarté IMMATERIELLE in French, signed Chu Teh-chun in Chinese and English, dated 1998

Estimate
3,800,000 - 5,000,000
927,000 - 1,220,000
126,700 - 166,700
Sold Price
5,760,000
1,473,146
189,911

Ravenel Autumn Auction 2010 Taipei

152

CHU Teh-chun (Chinese-French, 1920 - 2014)

Clarté immatérielle


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EXHIBITED:


1998 Chu Teh-chun Solo Exhibition, Heritage Arts International Ltd., Taipei, May 9-24, 1998

This painting is to be sold with a certificate of authenticity signed by the artist and a picture of the artist.


Catalogue Note:

Back in the early days, Chu Teh-chun had about twenty years of figurative creation experiences, when he was learning in Hangzhou National College of Art he was affected by the atmosphere of that era, with the elements from Chinese traditional arts and the irrigation from western art trends, he lined both. Traditional Chinese paintings, classic European paintings and contemporary abstract arts all have affection on Chu's art. Music, colors, calligraphy, and lights are essential elements in his abstract paintings, he skillfully merged all these elements, from traditional Chinese poetic point of view, atoning the stiffness from western art theories, and further creates several cultural and cultivated paintings, not just a picture of a landscape or a form of abstract, Chu pushed art to a brand new region that is lively and mystic. His contributions on abstract expressionism paintings is his using graceful, mild and degage brush strokes, which brings up the life and force of nature, he poured Chinese culture spirits in his own characteristic painting language, vitalized the Chinese painting tradition.


Chu adopted convincing lines to paint characteristics from uncertainty, makes illusions perfect, we cannot see western transparency in the picture, but if we view from afar, we may discover certain still spots replacing each other, arranged on a plane of different degrees, Chu cleverly blended the feel of calligraphy onto the canvas, with lights and colors given, made the whole picture look alive.


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