The Girl Playing Mandolin

2003

Oil on canvas

162 x 130 cm

Signed lower left Ching-jung in Chinese and CHEN in English, dated 03

Estimate
1,400,000 - 2,000,000
362,000 - 517,000
46,800 - 66,900

Ravenel Spring Auction 2013 Taipei

667

CHEN Ching-jung (Taiwanese, b. 1934)

The Girl Playing Mandolin


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EXHIBITED:
Chen Ching-Jung Solo Exhibition, Taipei County Government Cultural Department, Taipei, January, 2004
Chen Ching-jung Exposition personnelle, Mairie du 6e arrondissement, Paris, September 1-15, 2004
Chen Ching-Jung Solo Exhibition, National Museum of History, Taipei, April 22 - May 21, 2006

ILLUSTRATED:
Chen Ching-Jung, Taipei County Government Cultural Department, Taipei, 2004, color illustrated, cover and p. 86
Chen Ching-jung 2004: Oeuvres des exposition personnelle à la Mairie du 6e arrondissement de Paris, published by Chen Ching-jung, Taipei, August 2004, color illustrated, no. 8
Chen Ching-Jung Solo Exhibition, National Museum of History, Taipei, 2006, color illustrated

Catalogue Note:
Chen Ching-jung studied in Japan in his youth, and received a bachelor’s degree from the Department of Western Painting, Musashino Art University as well as a graduate degree from the Institute of Mural Paintings, Tokyo University of the Arts. He taught art after returning to Taiwan. With his solid and profound training in sketching and aesthetics, he traveled to Paris in 1986, and became a member of the Salon d’Automne in 1993. Chen is skilled at building mysterious and lonely spaces with landscapes of lower chroma and strict composition. He is famous for his surrealist paintings.

“Artistic creation is a lonely path.” “An artist must be able to endure loneliness, yet sometimes loneliness can be quite beautiful.” Chen always expresses his insights towards art through his paintings. Created in 2003, “The Girl Playing Mandolin” is rare among Chen’s works in that it is painted with brighter and warmer tones. Inside the dim and quiet world, the bare-footed girl lowers her head to pluck the strings. The oil lamp at the front implies brightness and hope, suggesting the artist’s expectation of a beautiful life.

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