友善列印展覽：
「中國當代雕塑十人展」，亞洲藝術中心，北京，展期自2007年4月7日至5月6日
「第52屆威尼斯雙年展—尋找精神的空間．虛空中的能量：李真雕塑展」，未來展望美術館，威尼斯，展期自2007年6月10日至11月21日（較大版本）
圖錄：
《李真雕塑1992-2002》，亞洲藝術中心，台北，2004，彩色圖版，頁88-89（較小版本）
《中國當代雕塑十人展》，亞洲藝術中心，北京，2007，彩色圖版，頁50
《李真第52屆威尼斯雙年展—虛空中的能量》，亞洲藝術中心，台北，2007年，彩色圖版，頁140-141；黑白圖版，頁219
《李真：中國美術館個展—尋找精神的空間》，亞洲藝術中心，台北，2008，彩色圖版，頁64-71；黑白圖版，頁197
附亞洲藝術中心開立之原作保證書
透過獨創的「鎏銀」材質，塑造出一宛若明鏡之倒影，「大氣神遊」系列之一《無心海》比喻人唯有保持澄淨無垢的「清淨心」，致若赤子的境界，才能無憂無慮的徜徉在清澈的湖水之上。《無心海》純淨無瑕的赤子之身，無欲無求，不拘於七情六欲，師法自然，以最真的態度來面對生命、享受生活。似有心，若無心；是實境，若虛境，生命是真、非真，在時間中消失。宛若明鏡之倒影，它是澄淨無垢的「清淨心」，致若諸佛境界，才能無憂無慮的徜徉在清澈湖水之上。細品李真作品，沒有過度繁瑣的線條，渾圓純樸的造型總令觀者會心一笑，精簡中有渾然天成氣韻之美。
Clear Soul, created in 2002 by Li Chen, is part of his series Spiritual Journey through the Great Ether. The sculpture exclusively adopts a silvering material and creates a mirror-like inverting effect. Clear Soul figuratively suggests that only a pure and spotless soul, such as that of a newborn baby, may freely fly over the serene and clear lake. The infant-like Clear Soul actually means freedom from desires or demands, negating mortal emotions or desires, complying with the rules of nature, and facing and enjoying life with the most genuine attitude. Clear Soul seems as if a mind of concerns has seemingly cast off the concerns of mortal toil; it is substantial but feels weightless. Life is real and yet full of illusions, which are doomed to vanish as time goes by. This philosophy can be compared to a mirror-like inverting effect. Pure and spotless Clear Soul, which is the boundary of Buddhism, will enjoy the freedom of flying over the serene and clear lake. Li abandons the over-complicated or lines in his sculptures and the perfectly round and unsophisticated image of figure always bring the viewers the purest movement through looking at these simple works.
「中國當代雕塑十人展」，亞洲藝術中心，北京，展期自2007年4月7日至5月6日
「第52屆威尼斯雙年展—尋找精神的空間．虛空中的能量：李真雕塑展」，未來展望美術館，威尼斯，展期自2007年6月10日至11月21日（較大版本）
圖錄：
《李真雕塑1992-2002》，亞洲藝術中心，台北，2004，彩色圖版，頁88-89（較小版本）
《中國當代雕塑十人展》，亞洲藝術中心，北京，2007，彩色圖版，頁50
《李真第52屆威尼斯雙年展—虛空中的能量》，亞洲藝術中心，台北，2007年，彩色圖版，頁140-141；黑白圖版，頁219
《李真：中國美術館個展—尋找精神的空間》，亞洲藝術中心，台北，2008，彩色圖版，頁64-71；黑白圖版，頁197
附亞洲藝術中心開立之原作保證書
透過獨創的「鎏銀」材質，塑造出一宛若明鏡之倒影，「大氣神遊」系列之一《無心海》比喻人唯有保持澄淨無垢的「清淨心」，致若赤子的境界，才能無憂無慮的徜徉在清澈的湖水之上。《無心海》純淨無瑕的赤子之身，無欲無求，不拘於七情六欲，師法自然，以最真的態度來面對生命、享受生活。似有心，若無心；是實境，若虛境，生命是真、非真，在時間中消失。宛若明鏡之倒影，它是澄淨無垢的「清淨心」，致若諸佛境界，才能無憂無慮的徜徉在清澈湖水之上。細品李真作品，沒有過度繁瑣的線條，渾圓純樸的造型總令觀者會心一笑，精簡中有渾然天成氣韻之美。
Clear Soul, created in 2002 by Li Chen, is part of his series Spiritual Journey through the Great Ether. The sculpture exclusively adopts a silvering material and creates a mirror-like inverting effect. Clear Soul figuratively suggests that only a pure and spotless soul, such as that of a newborn baby, may freely fly over the serene and clear lake. The infant-like Clear Soul actually means freedom from desires or demands, negating mortal emotions or desires, complying with the rules of nature, and facing and enjoying life with the most genuine attitude. Clear Soul seems as if a mind of concerns has seemingly cast off the concerns of mortal toil; it is substantial but feels weightless. Life is real and yet full of illusions, which are doomed to vanish as time goes by. This philosophy can be compared to a mirror-like inverting effect. Pure and spotless Clear Soul, which is the boundary of Buddhism, will enjoy the freedom of flying over the serene and clear lake. Li abandons the over-complicated or lines in his sculptures and the perfectly round and unsophisticated image of figure always bring the viewers the purest movement through looking at these simple works.