ILLUSTRATED:
Zhang Lin Hai, Schoeni Art Gallery Ltd.,Hong Kong, color illustrated, p.155
Paradise Series - Fly, No. 19
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2003 Oil on canvas 130 x 150 cm Signed lower right L.H. in English and Linhai in Chinese, dated 2003.5 |
Estimate
1,200,000 - 2,000,000 285,700 - 476,200 36,600 - 61,000
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Sold Price
1,534,000 362,734 46,450
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Zhang's work is full of sorrow, fear, confusion, and strongly emot ional instability which makes people want to run away. Repetitive images, flat pictures, surrealist style and absurd forms are used to display the essence of existence which makes visual attraction become vain and cruel, glossily absurd yet realistic. They are chaotic and fully of tensions. When looking at each absurd scene and immersing themselves in each painting's seemingly-malicious eye contact, viewers can vividly sense the recalcitrance of human nature, the preposterousness of existence, and the artist's attitude questioning the history and the reality.
Zhang always lets his visual style and linguistic approach linger around in a specific historical order and ideological viewpoint. Examples would be the red flags, red sorghums, red clothes, ruined houses, landmark buildings, etc. in the background. However, for they are the deformed human figures of plural arrangement, or the sorghums, red flags, houses and other symbolic signs, they are like the lowest creatures in the soil, walking through layers of shadows in the history with strength, persistence, and sensitivity. They are a group of humble lives but glittering with the angelic human nature with the bitterness of life dreams on their shoulders.