Of circular form, the cover decorated in relief with a lingzhi sprig under the shade of blossoming florets, all reserved on a fine diaper ground within a raised circular border, further encircled by two bands of keyfrets above and below the opening, raised on a straight circular foot incised with four characters.

D 7.8 cm.

Of rectangular form constructed with an upper sliding lid carved with an interlacing Wan pattern on the sides,
the well-polished striated grain of a deep dark brown color.

L 41 cm.

Of rectangular form, finely embellished with metal mounts near the extremities on the outer edges of all sides, the exterior sides applied with a pair of metal handles, the center of the front adorned with a raised rectangular opening, further reinforced with two metal hinges on the reverse, the bottom with two apertures.

H 36 cm.

QIANLONG AND OF THE PERIOD (1736-1795)

Each of rectangular form decorated with a quatrefoil panel enclosing a pair of scaly dragons amidst stylized
clouds and turbulent waves beneath a smaller quatrefoil panel decorated in high relief, flanked by a pair of brass handles on the sides, a circular lock plate finely incised with a confronting pair of scaly dragons in the center of the opening.

L 51 cm.

QIANLONG AND OF THE PERIOD (1736-1795)

The mirror set within a rounded-rectangular frame above a rectangular panel enclosing a pair of interlaced
confronting archaistic dragons in openwork, raised on a side posts flanked by standing spandrels elaborately carved with two further archaistic dragons on either side, the elegant aprons further adorned with an undulating foliate scrolls in high relief.

H 68.7 cm.

QIANLONG AND OF THE PERIOD (1736-1795)

The impressive screen is finely carved with a design of the three gentlemen amidst traces of red acquer, the stand is decorated with a rectangular panel enclosing archaistic scrolls and raised bosses above an apron similarly decorated in relief, further raised on a side posts flanked by standing spandrels similarly decorated with keyfrets bordering the outer edges.

H 55.6 cm.

QIANLONG AND OF THE PERIOD (1736-1795)

The rectangular central post standing on a circular base encircled by a band of lappets in high relief, the tray
and feet connected to the post with elaborate reticulated spandrels to each side embellished with stylized
archaistic dragons in openwork.

H 56 cm.

QIANLONG AND OF THE PERIOD (1736-1795)

On its polished surface there is a central top that fits into the structure, the part below gets narrower towards the inside and rests on decoration of lotus petals carved in slight relief, fine and delicate reflecting its strength and vitality. The frontal frieze is made up of curves with decoration of slender clouds, flowing lines that extend to the legs, also curved in an S-shape.

L 67 cm.

QIANLONG AND OF THE PERIOD (1736-1795)

Of rectangular form, one side with four drawers each meticulously carved with a flittering bat amidst auspicious stylised clouds in high relief within the rectangular panel, each embellished with a leaf-shaped handle issuing from a chrysanthemum lock plate in the center, further decorated with four reticulated spandrels carved to the form of an undulating chi-long in each of the four inner corners, supported on four short cabriole legs terminating in claw and ball-form feet, the well-polished wood of a dark brown tone.

QIANLONG AND OF THE PERIOD (1736-1795)

Comprises of a top with the edges and corners decorated with incrustations. In the centre of the surface there is an elongated tabletop, with further Wan feature done through the assembly of the zitan, hualimu and jichimu woods, perfectly joined and connotative of longevity. The corners of the table are decorated with copper, engraved with fine exquisite drawings of dragons. The four lateral friezes beneath the tabletop are decorated in intaglio carving of geometric designs and in the middle appears another type of geometric decoration made with short strips that describe shapes of concentric circles, very well traced and in perfect harmony with the former. A pair of chi-dragons has been inserted to give it greater stability at the angle between the legs and the frontal frieze. The legs, with circular S-shaped decoration, end in an outward facing
floral motifs.

L 133 cm.